The interior of a vast disused turbine hall at night, steel roof trusses overhead, a crowd standing in silhouette under orange work lamps and cyan haze.

Fourth edition

TURBINE Three nights inside the machine

Ambient, techno and modular sound in a hall built for power.

Friday 11 – Sunday 13 June 2027

The Powerhouse, Hall E · Kraków

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Genres across the three nights: industrial techno, deep ambient, drone, modular live, hardware techno, field recording, tape loops, dub techno, neoclassical electronic, percussive ambient, generative and glassy IDM. Between them, two words for the room: concrete and steel, sodium light.

Lineup

Twelve artists over three nights. Four a night, one stage at a time. Nothing you want to hear runs against anything else you want to hear.

Showing all twelve artists.

A figure in hard silhouette against dense smoke, rimmed by a single orange lamp directly behind the head. Headliner

KASIMIR VOLT

Friday Turbine Hall

Industrial techno

Kick drums built to move the air in a room this size, played loud enough that the roof trusses answer back.

A standing figure almost entirely dissolved into cold cyan fog, low and small in an otherwise empty frame. Headliner

Lena Orbis

Saturday Turbine Hall

Deep ambient

Chords held until the hall's eight-second reverb becomes part of the chord.

A fine lattice of cyan and violet light lines drawn in empty black space, fraying toward the edges. Headliner

NULLSET

Sunday Turbine Hall

Generative

A patch that writes the set while it plays, so nobody in the hall has heard it before, including NULLSET.

A tall shaft of orange light falling down a dark concrete wall, with a shoulder in shadow entering from the left. Main

Auric Drift

Friday Boiler Room

Drone

Sustained low end that arrives through the floor and reaches your ears second.

Two hands patching cables into a dark modular synthesiser panel under a single orange lamp. Main

Mara Teschke

Saturday Boiler Room

Modular live

Everything patched on stage, with the cables, the mistakes and the recoveries all audible.

A figure seen from behind facing a wall of old electrical switchgear, edged by a single orange rim light. Main

SUBSTATION 9

Sunday Boiler Room

Hardware techno

Three drum machines, no laptop, and a hi-hat that cuts through brick like a spanner dropped on pipework.

A small silhouetted figure holding a pole aloft against a large, evenly glowing pale cyan window panel. Support

Hiroko Vane

Friday Cooling Tower

Field recording

Tape of harbours, lifts and transformer hum, mixed until the recordings and the tower sound like one place.

A figure smeared and abstracted behind fogged wired safety glass, backlit by a cyan tube light. Support

Cold Cathode

Saturday Cooling Tower

Dub techno

One chord, a spring reverb and a long delay; the concrete does the rest of the work.

A single hand resting still on the keys of an old piano keyboard, lit warmly from one side, the rest in darkness. Support

Ilse Rüm

Sunday Cooling Tower

Neoclassical electronic

Piano and cello through tape delay, played at the volume of a conversation.

A loop of magnetic tape running diagonally between spools, its edge catching an orange highlight, one spool blurred by motion. Support

TAPE DECAY

Friday Boiler Room

Tape loops

Four reel-to-reel machines running spliced loops that wear out audibly before the set ends.

A long-exposure frame of a figure mid-strike, one arm smeared into an orange trail above the lit rims of metal percussion. Support

Odalys Ferrer

Saturday Cooling Tower

Percussive ambient

Drums and metal bowls recorded in the room, then played back into it until the two blur.

The exposed edges of stacked plate glass sheets glowing cyan under a single side light, with faint violet refraction. Support

VITRINE

Sunday Boiler Room

Glassy IDM

Brittle high-register rhythms that sound like something small breaking, slowed down.

Programme

One stage plays at a time. The night opens in the Cooling Tower, moves down to the Boiler Room and finishes on the main floor. Changeovers take fifteen minutes and the walk between stages takes about four.

Friday 11 June

Doors 19:00 · Last set ends 04:00 · Hall clears 04:30

  • 19:30 – 21:00 Cooling Tower Hiroko Vane
  • 21:15 – 22:45 Boiler Room TAPE DECAY
  • 23:00 – 00:45 Boiler Room Auric Drift
  • 01:00 – 04:00 Turbine Hall KASIMIR VOLT

Saturday 12 June

Doors 19:00 · Last set ends 04:00 · Hall clears 04:30

14:00 – 17:00 · Boiler Room · Modular synthesis workshop with Mara Teschke. Full Pass + Workshop only, 40 places.

Workshop entry from 13:30 at the gate. The hall opens to everyone at 19:00.

  • 19:30 – 21:00 Cooling Tower Odalys Ferrer
  • 21:15 – 23:00 Cooling Tower Cold Cathode
  • 23:15 – 01:00 Boiler Room Mara Teschke
  • 01:15 – 04:00 Turbine Hall Lena Orbis

Sunday 13 June

Doors 17:30 · Last set ends 02:00 · Hall clears 02:30

  • 18:00 – 19:30 Cooling Tower Ilse Rüm
  • 19:45 – 21:15 Boiler Room VITRINE
  • 21:30 – 23:15 Boiler Room SUBSTATION 9
  • 23:30 – 02:00 Turbine Hall NULLSET

All times are Central European Summer Time. Set times can move. Anything that changes is posted at the gate and here.

The Powerhouse, Hall E

A long brick power station with tall arched windows at blue hour, orange light leaking from inside, a chimney and cooling tower behind it.

Hall E has not made electricity since 1998. For three nights it makes something else. The building went up in 1928 to burn coal for the city; Hall E held the turbines, and their concrete plinths are still set into the floor. The main stage goes up between them.

The three rooms are not versions of one room. The Turbine Hall is the main floor: twenty-six metres up to the roof trusses and about eight seconds of reverb, which is why the slow sets are programmed here and not downstairs. The Boiler Room is two levels below ground — brick vaults, a low ceiling, iron furnace doors along one wall, and heat the crowd makes and the building keeps. The Cooling Tower is a forty-metre concrete shell with a ring of seating at the base and a deck closing the top. It is the quietest room on site, and the loudest thing in it is usually the room.

Four thousand people a night, across all three. The hall is not heated and it holds the cold: about fourteen degrees on the floor at three in the morning, in June. Bring a layer, and bring ear protection.

Getting here

The Powerhouse, Hall E · ul. Kotłowa 3 · 30-702 Kraków

Tram
Trams 9, 14 and 22 stop at Elektrownia, 200 metres from the gate. The last tram into the centre leaves at 23:10; after that the night line 62 runs every forty minutes until 04:40.
Train
Kraków Główny is twenty minutes away on tram 14, or a 35-minute walk along the river.
Bike
Three hundred covered racks inside the gate, lit and staffed until thirty minutes after the last set.
Accessibility
Step-free from the gate to all three stages. A lift serves the Boiler Room and the Cooling Tower balcony, and the Turbine Hall has a raised viewing platform with its own bar and toilet. Accessible toilets on every level.

There is no parking on site and the streets around it are permit-only. The drop-off point is on the corner of ul. Kotłowa and ul. Węglowa, fifty metres from the gate.

Hall E, the gate on ul. Kotłowa, and the Elektrownia tram stop two streets north. The river runs along the southern edge of the site.

Tickets

Three ways in. The price you see is the price you pay: no booking fee, no service charge, and no tier that expires while you are reading this.

Single Night

€45 one night

  • One night, chosen at checkout
  • All three stages
  • Re-entry on the night
Choose a night

Most popular

Full Pass

€110 three nights

  • All three nights, 11–13 June
  • All three stages
  • Re-entry on every night
  • €25 less than three single nights
Get a Full Pass

Full Pass + Workshop

€165 three nights and the workshop

  • Everything in the Full Pass
  • Modular synthesis workshop, Saturday 14:00 – 17:00
  • Led by Mara Teschke in the Boiler Room
  • 40 places
Get a Full Pass and workshop

Single Night

Price
€45
Nights
One, chosen at checkout
Stages
All three
Re-entry on the night
Yes
Saturday workshop
No
Companion ticket
Free
Booking fee
None

Full Pass

Price
€110
Nights
Three
Stages
All three
Re-entry on the night
Yes
Saturday workshop
No
Companion ticket
Free
Booking fee
None

Full Pass + Workshop

Price
€165
Nights
Three
Stages
All three
Re-entry on the night
Yes
Saturday workshop
Yes, 40 places
Companion ticket
Free
Booking fee
None

Companion tickets for personal assistants are free. Write to access@turbine.fm and we will arrange it, no documentation required.

Every ticket is 18+. Bring photo ID.

Before you come

Questions

Eight things people write to us about.

Doors at 19:00 on Friday and Saturday, 17:30 on Sunday. The last set ends at 04:00 on Friday and Saturday and at 02:00 on Sunday, and the hall clears half an hour later. Full set times are in the programme above.

Yes. Eighteen and over, on every night and in the workshop. We check photo ID at the gate and we do not make exceptions.

Yes, on the same night, with your wristband. The gate stops readmitting at 02:00 on Friday and Saturday and at 00:30 on Sunday. The yard between the gate and the hall is the smoking area, so you do not have to leave the site for that.

Step-free from the gate to all three stages. A lift serves the Boiler Room and the Cooling Tower balcony. The Turbine Hall has a raised viewing platform with its own bar and toilet. Accessible toilets on every level. A quiet room next to the gate stays open all night with the sound at conversation level, and ear defenders are free at the info desk. There is haze on all three stages and strobe in the Turbine Hall after midnight. Companion tickets for personal assistants are free: write to access@turbine.fm.

Photo ID, your ticket on a phone or on paper, and ear protection. Bring a layer as well: the hall is unheated and sits at about fourteen degrees at three in the morning, in June. Leave glass, professional cameras and anything larger than a small rucksack at home.

The bars and the merchandise stand take cards and phones only. If you would rather not use a card, the desk by the gate turns cash into a festival card with no fee, and refunds the balance in cash on the same night.

Nothing changes. All three stages are under cover and so is the queue. The only open ground is the yard between the gate and the hall, and that is forty metres.

Nine hundred of them by the gate, €5 a night, large enough for a coat and a rucksack. They open and close as often as you like on the same wristband. The staffed cloakroom next to them takes coats until thirty minutes after the last set.

Three emails a year

Changes to set times, and the dates for the fifth edition. Nothing else.

We do not sell the list and we do not share it.

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