Headliner KASIMIR VOLT
Friday Turbine Hall
Industrial technoKick drums built to move the air in a room this size, played loud enough that the roof trusses answer back.
Fourth edition
Ambient, techno and modular sound in a hall built for power.
Friday 11 – Sunday 13 June 2027
The Powerhouse, Hall E · Kraków
Genres across the three nights: industrial techno, deep ambient, drone, modular live, hardware techno, field recording, tape loops, dub techno, neoclassical electronic, percussive ambient, generative and glassy IDM. Between them, two words for the room: concrete and steel, sodium light.
Twelve artists over three nights. Four a night, one stage at a time. Nothing you want to hear runs against anything else you want to hear.
Showing all twelve artists.
Headliner Friday Turbine Hall
Industrial technoKick drums built to move the air in a room this size, played loud enough that the roof trusses answer back.
Headliner Saturday Turbine Hall
Deep ambientChords held until the hall's eight-second reverb becomes part of the chord.
Headliner Sunday Turbine Hall
GenerativeA patch that writes the set while it plays, so nobody in the hall has heard it before, including NULLSET.
Main Friday Boiler Room
DroneSustained low end that arrives through the floor and reaches your ears second.
Main Saturday Boiler Room
Modular liveEverything patched on stage, with the cables, the mistakes and the recoveries all audible.
Main Sunday Boiler Room
Hardware technoThree drum machines, no laptop, and a hi-hat that cuts through brick like a spanner dropped on pipework.
Support Friday Cooling Tower
Field recordingTape of harbours, lifts and transformer hum, mixed until the recordings and the tower sound like one place.
Support Saturday Cooling Tower
Dub technoOne chord, a spring reverb and a long delay; the concrete does the rest of the work.
Support Sunday Cooling Tower
Neoclassical electronicPiano and cello through tape delay, played at the volume of a conversation.
Support Friday Boiler Room
Tape loopsFour reel-to-reel machines running spliced loops that wear out audibly before the set ends.
Support Saturday Cooling Tower
Percussive ambientDrums and metal bowls recorded in the room, then played back into it until the two blur.
Support Sunday Boiler Room
Glassy IDMBrittle high-register rhythms that sound like something small breaking, slowed down.
One stage plays at a time. The night opens in the Cooling Tower, moves down to the Boiler Room and finishes on the main floor. Changeovers take fifteen minutes and the walk between stages takes about four.
Doors 19:00 · Last set ends 04:00 · Hall clears 04:30
| Time | Turbine Hall | Boiler Room | Cooling Tower |
|---|---|---|---|
| 19:30 – 21:00 | No set | No set | Hiroko Vane |
| 21:15 – 22:45 | No set | TAPE DECAY | No set |
| 23:00 – 00:45 | No set | Auric Drift | No set |
| 01:00 – 04:00 | KASIMIR VOLT | No set | No set |
Doors 19:00 · Last set ends 04:00 · Hall clears 04:30
14:00 – 17:00 · Boiler Room · Modular synthesis workshop with Mara Teschke. Full Pass + Workshop only, 40 places.
Workshop entry from 13:30 at the gate. The hall opens to everyone at 19:00.
| Time | Turbine Hall | Boiler Room | Cooling Tower |
|---|---|---|---|
| 19:30 – 21:00 | No set | No set | Odalys Ferrer |
| 21:15 – 23:00 | No set | No set | Cold Cathode |
| 23:15 – 01:00 | No set | Mara Teschke | No set |
| 01:15 – 04:00 | Lena Orbis | No set | No set |
Doors 17:30 · Last set ends 02:00 · Hall clears 02:30
| Time | Turbine Hall | Boiler Room | Cooling Tower |
|---|---|---|---|
| 18:00 – 19:30 | No set | No set | Ilse Rüm |
| 19:45 – 21:15 | No set | VITRINE | No set |
| 21:30 – 23:15 | No set | SUBSTATION 9 | No set |
| 23:30 – 02:00 | NULLSET | No set | No set |
All times are Central European Summer Time. Set times can move. Anything that changes is posted at the gate and here.
Hall E has not made electricity since 1998. For three nights it makes something else. The building went up in 1928 to burn coal for the city; Hall E held the turbines, and their concrete plinths are still set into the floor. The main stage goes up between them.
The three rooms are not versions of one room. The Turbine Hall is the main floor: twenty-six metres up to the roof trusses and about eight seconds of reverb, which is why the slow sets are programmed here and not downstairs. The Boiler Room is two levels below ground — brick vaults, a low ceiling, iron furnace doors along one wall, and heat the crowd makes and the building keeps. The Cooling Tower is a forty-metre concrete shell with a ring of seating at the base and a deck closing the top. It is the quietest room on site, and the loudest thing in it is usually the room.
Four thousand people a night, across all three. The hall is not heated and it holds the cold: about fourteen degrees on the floor at three in the morning, in June. Bring a layer, and bring ear protection.
The Powerhouse, Hall E · ul. Kotłowa 3 · 30-702 Kraków
There is no parking on site and the streets around it are permit-only. The drop-off point is on the corner of ul. Kotłowa and ul. Węglowa, fifty metres from the gate.
Three ways in. The price you see is the price you pay: no booking fee, no service charge, and no tier that expires while you are reading this.
€45 one night
Most popular
€110 three nights
€165 three nights and the workshop
| Single Night | Full Pass | Full Pass + Workshop | |
|---|---|---|---|
| Price | €45 | €110 | €165 |
| Nights | One, chosen at checkout | Three | Three |
| Stages | All three | All three | All three |
| Re-entry on the night | Yes | Yes | Yes |
| Saturday workshop | No | No | Yes, 40 places |
| Companion ticket | Free | Free | Free |
| Booking fee | None | None | None |
Single Night
Full Pass
Full Pass + Workshop
Companion tickets for personal assistants are free. Write to access@turbine.fm and we will arrange it, no documentation required.
Every ticket is 18+. Bring photo ID.
Before you come
Eight things people write to us about.
Doors at 19:00 on Friday and Saturday, 17:30 on Sunday. The last set ends at 04:00 on Friday and Saturday and at 02:00 on Sunday, and the hall clears half an hour later. Full set times are in the programme above.
Yes. Eighteen and over, on every night and in the workshop. We check photo ID at the gate and we do not make exceptions.
Yes, on the same night, with your wristband. The gate stops readmitting at 02:00 on Friday and Saturday and at 00:30 on Sunday. The yard between the gate and the hall is the smoking area, so you do not have to leave the site for that.
Step-free from the gate to all three stages. A lift serves the Boiler Room and the Cooling Tower balcony. The Turbine Hall has a raised viewing platform with its own bar and toilet. Accessible toilets on every level. A quiet room next to the gate stays open all night with the sound at conversation level, and ear defenders are free at the info desk. There is haze on all three stages and strobe in the Turbine Hall after midnight. Companion tickets for personal assistants are free: write to access@turbine.fm.
Photo ID, your ticket on a phone or on paper, and ear protection. Bring a layer as well: the hall is unheated and sits at about fourteen degrees at three in the morning, in June. Leave glass, professional cameras and anything larger than a small rucksack at home.
The bars and the merchandise stand take cards and phones only. If you would rather not use a card, the desk by the gate turns cash into a festival card with no fee, and refunds the balance in cash on the same night.
Nothing changes. All three stages are under cover and so is the queue. The only open ground is the yard between the gate and the hall, and that is forty metres.
Nine hundred of them by the gate, €5 a night, large enough for a coat and a rucksack. They open and close as often as you like on the same wristband. The staffed cloakroom next to them takes coats until thirty minutes after the last set.